Metadata Quality in Digital Repositories a Survey of the Current State of the Art
Land of the art
Exploring Roppongi and Tennozu, two of Tokyo'southward artsiest neighbourhoods
We know it'southward hard to believe, but Roppongi, Tokyo's glitzy underbelly of pricey booze, sleazy clubs and boutique shopping, lives a double life every bit the city's art hub. The capital letter'southward almost famous amusement commune, one time known as 'Loftier Bear on Town', prides itself on an impressive array of small galleries and big museums – the cultural legacy of gentrification efforts over the last decade.
Further southeast, Tennozu Isle is no stranger to the fine art, or artifice, of transformation from the bottom upward either. In fact, the artificial island was literally dredged upward from the depths of Tokyo Bay during the 1920s and '30s. Recently, all-encompassing waterfront planning has seen the hitherto quiet warehouse commune re-emerge as a be-muraled town dotted with canalside cafés, high-ascent role buildings, hip hotels and fine art galleries.
Roppongi
This year, Roppongi'due south art cred was raised to new heights with the opening of the Complex665 building (half dozen-5-24 Roppongi, Minato-ku), which houses a trifecta of influential galleries: Tomio Koyama, ShugoArts and Taka Ishii. The edifice sits on a residential back street tucked away from the hustle and bustle of Roppongi, but is hard to miss thanks to what appears to be a squiggle painted on its side. This symbol is the logo designed for Complex665 by artist Yoshihisa Tanaka, who imagined how a 'fictional creative person named 665 might sign their own work'.
A major player in Tokyo's contemporary art scene, Tomio Koyama Gallery moved into the second floor of the building from their previous location in Sendagaya, employing young architects Toru Murayama and Ayako Kato to design their new ii-room exhibition infinite. They represent an impressive roster of artists in Japan, including wunderkind lensman Ryan McGinley, American post-minimalist Richard Tuttle and Yoko Ono.
Also on the 2d floor is ShugoArts, who have championed the avant-garde of Japanese art since the mid-'80s. Their gallery was designed by architect Jun Aoki, also responsible for facelifting the façade of the Louis Vuitton building in Ginza. Different their flatmates, ShugoArts keep the shop open on Sundays.
Calling dibs on the top bunk are Taka Ishii Gallery, who stand for heavy-hitters like Elmgreen & Dragset, Nobuyoshi Araki, Daido Moriyama and Thomas Need. Furniture and interior design gurus Broadbean, whose offices occupy the ground floor, were enlisted to pattern the sleek gallery space on the third floor, which wonderfully feeds off natural light coming in from the found terrace.
If yous've enjoyed killing a whole flock of birds with one stone, then head over to the Piramide Edifice (6-6-9 Roppongi, Minato-ku), which is another great instance of the tried-and-tested 'power in numbers' model of art collectives. Leading galleries Ota Fine Arts and Wako Works of Art are amongst its famous tenants.
Ascent above the residual both in height and, arguably, in might, the 238-metre Roppongi Hills Mori Tower is dwelling house to the Mori Fine art Museum, which holds some of Tokyo'south nearly aggressive and influential exhibitions. A retrospective defended to the Indian creative person N Southward Harsha volition exist unveiled in February 2017.
The brainchild of manner (and fragrance) designer Issey Miyake and swain design greats Taku Satoh and Naoto Fukasawa, 21_21 Design Sight more underscores Roppongi'due south role as the focal betoken of Tokyo's fine art scene. The common focus of their ever-changing lineup of exhibitions is interdisciplinary design.
The National Fine art Center (NACT), designed by Kisho Kurokawa of Nakagin Capsule Tower fame, boasts the largest exhibition infinite of any museum in Nippon. Dissimilar most of its counterparts, NACT is an 'empty museum', which ways it does non take a permanent collection, instead choosing to commission one-off exhibitions – their Monet bear witness was the second most visited exhibition in the world in 2007.
Located in Tokyo Midtown and designed by renowned builder Kengo Kuma, the Suntory Museum of Art possesses the biggest drove of Japanese arts and crafts in the country, comprised of a whopping three,000-plus objects. Their tea ceremonies, staged on the sixth floor every 2d Thursday, are a must do.
And for the 'Peanuts' fans out in that location, Roppongi has a Snoopy Museum, showcasing Charles M Schulz's original drawings and art for the dearest series. A number of the cartoonist's early works, vintage collectibles and other materials are as well on brandish.
Tennozu Isle
Backed by the Terrada warehouse company, which does far more just stock Tokyoites' leftover belongings, Tennozu'south new Archi-Depot museum displays a whopping 116 architectural models past Japanese starchitects, including works past Kengo Kuma, Shigeru Ban and Riken Yamamoto. While the exhibition warehouse isn't exactly a sight to behold, the architectural models – depicting both real buildings and unrealised projects – gleam similar miniature cabinets of curiosities. Later paying a visit to Archi-Depot, y'all're sure to walk away with a renewed appreciation for Tokyo's beautiful buildings, often overlooked in the relentless hustle and bustle of our love city.
But a stone's throw away from Archi-Depot lies the hit art supplies 'laboratory' Pigment, designed by Kuma and inspired by the look and feel of bamboo. It stocks more than iv,500 color pigments, 50 kinds of animal glues, and a number of peak-quality traditional painting tools including over 200 antique ink sticks. The staff are all well-versed in the intricacies of the products and are happy to show you how to use them.
Taking a cue from their comrades over in Roppongi, four contemporary art galleries recently decided to nestle against each other on the 3rd floor of the Terrada Art Complex. The quartet is comprised of Kodama Gallery, who are getting ready for a solo show by Japanese artist Gaëtan Kubo opening January 14; Urano, representing domestic talents such every bit Takahiro Iwasaki, who will be flight the flag for Nippon at the 2017 Venice Biennale; Yamamoto Gendai, who count the legendary luminary Richard Serra amongst their artists; and Yuka Tsuruno Gallery, known for their collaborations with renowned artists Candida Höfer and José Parlá. Lest you forget your surrounds, the galleries are located inside a fully operating warehouse and are only accessible past a service elevator.
As the former and current residents of neighbourhoods like London's Shoreditch and New York's Brooklyn will tell yous, gentrification is a double-edged sword that tears through the quondam to brand way for the new. Whichever side of the third wave café/local caff divide y'all're on, the number and density of art galleries is frequently a good litmus test for how far a neighbourhood has come downwardly the line. Less than one-half an hr apart, Roppongi and Tennozu Island offer two different cases to study for those interested in the sociocultural furnishings of Tokyo'south urban planning. Or y'all could only wait at the art.
Terrada'south chief warehouse (2-vi-10 Higashi-Shinagawa, Shinagawa-ku) is holding an exhibition on David Bowie from January 8 to April 9 – be certain to go your tickets in advance.
Find more galleries in Roppongi
Source: https://www.timeout.com/tokyo/art/state-of-the-art