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Drawing With Shapes Doted Lines

Engraved Plate for Indigenous Art Prints

Engraved Plate for Indigenous Art Prints

$19.99

Made in Canada

Personalize your Canadian Indigenous Art Print to mark any event or special occasion! We can create customized engraved plates for all framed prints.

To order your engraved plate, first add the framed art print to your shopping cart (be sure to choose a framed print). Then add the engraved plate and select either "glass mounted" or "frame mounted" from the drop down menu. Please i nclude the text to be engraved  on the plaque in the "Special Instructions" area of your shopping cart . You will receive a confirmation email including the information that is to be engraved.

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Two sturdy Inuksuhuk standing in the snow and northern light in the background.

"My Father's Inukshuk" Limited Edition Inuit Art Print - Germaine Arnaktauyok

$43.95

Made in Nunavut

My Father's Inukshuk - Germaine Arnaktauyok

This individually signed and number limited edition Inuit art print was printed in Iqaluit, Nunavut and features the Germaine Arnaktauyok print "My Father's Inukshuk".

"I never questioned being an artist."

Germaine Arnaktauyok is renowned for her talents as an illustrator and master print maker. The daughter of carvers Therese Nattok and Isidore Lytok, she started to draw on any material available while still a young girl in Igloolik. When she was sent to a residential school at Chesterfield Inlet at the age of nine, she met a nun who gave her art lessons. Germine sold her first painting at the age of 11.

Germaine has studied Fine Arts at the University of Manitoba and Commercial Art at Algonquin College in Ottawa. Germaine developed her print making style at the Arctic College and Arts Induvik Canada. Germaine Arnaktauyok has illustrated several children's books and her work is featured in children's books from the Baffin Divisional Board of Education.

The ideas for Germaine's work stem from traditional Inuit legends and from living and witnessing the unique lifestyle of her people. Her unique, paradoxical character parallels her creative sensibilities: she is a simple woman, yet sophisticated; proud, yet modest; contemporary urban yet traditionally rural. As for subject matter, Germaine is particularly interested in female entities and concerns - the sea goddess Sedna, creation and birth - which are expressed in very personal ways that humanize the subject.

Germaine's image on an Inuit drum dancer now appears on the 2000 edition of the Canadian $2 coin.

This matted limited edition print measures 11" x 13"

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A limited edition print featuring a spirit sleighing through the sky full of stars and a bright full moon in a winter night.

"Spirit Moon" Limited Edition Inuit Art Print - Germaine Arnaktauyok

$43.95

Made in Nunavut

Spirit Moon - Germaine Arnaktauyok

This individually signed and number limited edition Inuit art print was printed in Iqaluit, Nunavut and features the Germaine Arnaktauyok print "Spirit Moon".

"I never questioned being an artist."

Germaine Arnaktauyok is renowned for her talents as an illustrator and master print maker. The daughter of carvers Therese Nattok and Isidore Lytok, she started to draw on any material available while still a young girl in Igloolik. When she was sent to a residential school at Chesterfield Inlet at the age of nine, she met a nun who gave her art lessons. Germine sold her first painting at the age of 11.

Germaine has studied Fine Arts at the University of Manitoba and Commercial Art at Algonquin College in Ottawa. Germaine developed her print making style at the Arctic College and Arts Induvik Canada. Germaine Arnaktauyok has illustrated several children's books and her work is featured in children's books from the Baffin Divisional Board of Education.

The ideas for Germaine's work stem from traditional Inuit legends and from living and witnessing the unique lifestyle of her people. Her unique, paradoxical character parallels her creative sensibilities: she is a simple woman, yet sophisticated; proud, yet modest; contemporary urban yet traditionally rural. As for subject matter, Germaine is particularly interested in female entities and concerns - the sea goddess Sedna, creation and birth - which are expressed in very personal ways that humanize the subject.

Germaine's image on an Inuit drum dancer now appears on the 2000 edition of the Canadian $2 coin.

This matted limited edition print measures 11" x 13"

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A large purple owl is flanked by two smaller yellow owls. All owls face the viewer. The large owl has leaves and flowers balanced on its head. This Canadian Indigenous print was painted by Kenojuak Ashevak, an Inuit artist from Ikirasaq, southern coast of Baffin Island. Ashevak's signature is at the bottom left.

"Resplendent Owls" - Kenojuak Ashevak

$20.95

"Resplendent Owls" print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 14"x11", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Kenojuak Ashevak Cultural Background: Inuit from Ikirasaq, southern coast of Baffin Island.

Like many Inuit artists, Kenojuak Ashevak has spent most of her life living on the land in a manner not unlike that of her ancestors. She was born at the south Baffin Island camp of Ikirisaq, and grew up travelling from camp to camp in Canada's Eastern Arctic.

Kenojuak first began experimenting with drawing and stone carving in the late 1950s. Her early work appeared in the Cape Dorset Annual Graphics Collections, launching a career that would include numerous national and international commissions, special projects and exhibitions. Her life and art have been the subject of a film produced by the National Film Board of Canada, and a book entitled "Graphic Arts of the Inuit: Kenojuak", published in 1981.

Kenojuak Ashevak has been accorded many honours for her achievements. She received the Order of Canada in 1967, and was subsequently elevated to Companion of the Order. In 1993, Kenojuak was awarded Honourary Degrees from both Queen's University and the University of Toronto. She passed away in 2013 at the age of 85.

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Two red eagle heads float in the night sky. The eagles are drawn in First Nations style. The sky has swirls of dark and light blue. A pine forest is silhouetted at the bottom. This Canadian Indigenous print was created by First Nations artist Rick Beaver. He was born on the Alderville Indian Reserve on Rice Lake, Southern Ontario.

"Emergence" - Rick Beaver

$20.95

"Emergence" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and black framing measuring 12" x 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Rick Beaver was born in 1948 on the Alderville Indian Reserve on Rice Lake, Southern Ontario. His degree in wildlife biology has had a strong influence on his painting, which he began full-time in 1981. His art evokes an emotional response which harks back to the origin of earth's people.

Allying nature and art, Rick's works show definite textured contrasts. Backgrounds are softly amorphous and lilting compared to the sculptural linearity of the creature he has chosen to depict. This melding of forms that are faithful to biology with abstract backdrops is at the heart of the paintings of Rick Beaver.

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An aboriginal figure kneels beside a lake. They are holding a bowl. Smoke rises from the bowl and turns into the shape of animal heads. Canadian First Nations artist Pam Cailloux is a Metis artist from Chibougamau, Quebec.

"Smudge By The Lake" - Pam Cailloux

$20.95

"Smudge By The Lake"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Pam Cailloux is a Metis artist from Chibougamau, Quebec. Her work uses vibrant, rich colours and lines to reflect her traditional Metis beliefs. Much of her art is inspired by the spirit of Mother Earth and the medicine wheel, both having a strong presence in her Metis heritage.

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A raven drawn in northwest coastal style. The raven is made of black, grey, and white shapes. A human-like face can be seen near its tail feathers. It is on a dark teal background. This Canadian Indigenous print was created by Kwakwaka 'wakw artist Francis Dick. She was born into the Musqamakw Dzawadaenutw Band in northern Vancouver Island.

"Raven" - Francis Dick

$20.95

"Raven" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation.

Born in 1959 into the Musqamakw Dzawadaenutw Band (the four tribes of Kingcome Inlet), Francis Dick is a contemporary aboriginal artist and a member of the Kwakwaka 'wakw Nation. She is a descendant of the supernatural Wolf, Kawadelekala, who became the first of the Kingcome people. Francis began her career as a social worker after receiving her degree from the University of Victoria, but quickly realized that her true calling in life was to honour her natural artistic talents.

Francis Dick's first aboriginal painting, Kawadelekala, was created, then published as a way to honour her grandmother's life and spirit after her death in December of 1985. Four months later, her youngest brother Jesse took his own life. She created her second aboriginal painting as a way to acknowledge her love and honour for her brother. The pain of losing Jesse took her to a doorway where her journey of self discovery began through her northwest coast art.

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Two loons swimming on a blue background. The loons are black with small white spots. Each loon has a blue symbol on its back. At the upper right of the picture is a red sun with eight black rays. This Canadian Indigenous print was made by Oji-Cree artist Kurt Flett. He was born into the Garden Hill First Nation in northern Manitoba.

"Direction" - Kurt Flett

$20.95

"Direction" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" x 14.25".

Kurt Flett is an Oji-Cree (Swampy Cree) from Garden Hill First Nation in the Island Lake region of northern Manitoba. Growing up in the same community that inspired Jackson Beardy in an earlier generation, Kurt joined with fellow community members Jeff Monias and Eddy Munroe in popularizing the Woodland school of Aboriginal art. Kurt, in his early fifties, died in 2011.

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A howling grey wolf. The background is white with ribbons of orange. Small blue flowers come from the wolf's howl and also lie at the wolf's feet. This Canadian Indigenous print was painted by Metis artist Laird Goulet. Goulet was raised in The Pas, Manitoba.

"Moon Song" - Laird Goulet

$20.95

"Moon Song" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Laird Goulet is a celebrated Metis artist raised in The Pas, Manitoba. The winner of many prestigious awards, he spent his childhood working on the trap line and developing his connection with the land. As an artist, Goulet uses a unique and vibrant painting style to reflect the tradition of his grandmothers and grandfathers. Choosing a path in life of healing and appreciation of all connections to both people and the land, Goulet endeavors, through his art, to share with the viewer, both his life experiences and a glimpse of First Nations traditions.

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A brown lynx walking from left to right. The lynx is framed by a circle. Inside the circle is a snowy background with an orange sun above the lynx. Outside the circle is a blue background with colourful flowers. This Canadian Indigenous print was painted by Metis artist Laird Goulet. Goulet was raised in The Pas, Manitoba.

"Stealth" - Laird Goulet

$20.95

"Stealth" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Laird Goulet is a celebrated Metis artist raised in The Pas, Manitoba. The winner of many prestigious awards, he spent his childhood working on the trap line and developing his connection with the land. As an artist, Goulet uses a unique and vibrant painting style to reflect the tradition of his grandmothers and grandfathers. Choosing a path in life of healing and appreciation of all connections to both people and the land, Goulet endeavors, through his art, to share with the viewer, both his life experiences and a glimpse of First Nations traditions.

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An eagle drawn in the Haida style. The lines of the eagle are black. The shapes within the lines are red and white. A human-like face can be seen on the eagle's stomach. This Canadian Indigenous print was painted by Llyod H. Harsch, a member of the Skidegate Band in British Colombia.

"Stastos Eagle 1" - Lloyd Harsch

$20.95

"Stastos Eagle 1"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and black framing measuring 12" X 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Cultural Background:  Haida

Lloyd H. Harsch was born in Kamloops BC in 1972 and belongs to the Stastas (Eagle) Clan from Kiusta, now the Skidegate Band.  Influenced by renowned artist Charles Edenshaw; Lloyd has been working in the Haida style for over 30 years. His artwork includes argillite carvings, drums, paintings, as well as, red and yellow cedar wood carvings.  Most recently, Lloyd graduated from the Native Education College's Northwest Coast Jewelry Arts Program creating copper and silver jewelry.

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A circle divided into four quadrants. The top quadrant is red, the right is blue, the bottom is yellow, and the left is white. Each quadrant has small abstract shapes in many colours. This Canadian Indigenous print was painted by Alex Janvier, a Denesuline artist from the Cold Lake First Nations, Alberta.

"Morning Star" - Alex Janvier

$20.95

Made in Canada

"Morning Star" print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Alex Janvier (1935)

Cultural Background: Dene Suline and Saulteaux

Born in 1935, Alex Janvier was raised in the nurturing care of his family until the age of 8 when he was uprooted from his home and sent to the Blue Quills Indian Residential School near St. Paul, Alberta. Although Janvier speaks of having a creative instinct from as far back as he can remember, it was at the residential school that he was given the tools to create his first paintings. Unlike many Aboriginal artists of his time, Janvier received formal art training from the Alberta College of Art in Calgary and graduated with honours in 1960.

In 1993, Morning Star was installed in the river end of the Canadian Museum of History's Grand Hall. The work's title refers to the star's use as a direction-finder. Janvier intended the four areas of colour in the outer ring to represent periods in Aboriginal history: yellow for early history in harmony with nature; blue for the changes brought about by contact with European civilization; red for revival and optimism ; and white for reconciliation and a return to harmony.

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This indigenous print depicts a nighttime scene of a river and pine trees using mix of realistic and First Nations styles. Three green turtles drawn in the Woodlands art style emerge from realistic cattails. A pale Egle spirit watches over the realistic pine trees on the far bank of the river. The left side of the painting is framed by abstract blue flowers. This Canadian indigenous print was created by William Monague, an Ojibway artist from southern Georgian Bay.

"Tranquility" - William Monague

$20.95

"Tranquility" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and black framing measuring 12" x 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Cultural Background: Ojibway – Christian Island, southern Georgian Bay, Ontario

The self-taught Beausoleil First Nation artist, William Anthony Monague, grew up on an isolated island with no access to formal education or training in the arts.  Monague – "Abwaudung" (The Visionary or Dreamer) discovered inspiration in the traditional teachings of Mother Earth, Spirit World and in the beauty of nature and in the Georgian Bay shores that surrounded him. Initially he was using the woodland style but soon developed his own more contemporary style of art. During the 1970's and 80's Monague followed the Pow Wow circuit in a van with his family down to Mexico. His work ended up in various museums and galleries along the way. Monague donates his time and artwork to many worthwhile causes, while helping others. "I feel my art speaks to my culture. I have made a name for myself with my work and reputation but it has taken a long time." He passed away peacefully to the Spirit World at the Georgian Bay General Hospital with his family by his side in 2019.

"Sharing Anishnabek Culture through the Spirit of Color"

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A woman with brown skin and teal hair stands against a dark blue background. She is wearing a yellow cloak or dress. The cloak or dress splits open in the front to reveal abstract human shapes. The human shapes are coloured orange, green or blue on a light brown background. This Canadian Indigenous print was painted by Maxine Noel, a Sioux artist born on the Birdtail Reserve, Manitoba.

"Earth Spirits" - Maxine Noel

$20.95

"Earth Spirits"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and black framing measuring 12" X 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Maxine was born in Manitoba of Santee Oglala Sioux parents. She spent her early childhood on her mother's reserve but at the age of six she left to attend an Indian residential school. Maxine's early career as a legal secretary was soon overshadowed by her preoccupation with painting and drawing. She took a course in advanced design where a teacher noticed Maxine's tendency toward linear expression and encouraged her in the use of shape and line to suggest movement. Since those early days Maxine has mastered the skills of painting and drawing plus the processes of serigraphy, etching and stone lithography. Recently she has turned her talents to the creation of editions in cast paper and limited edition bronze castings.

Maxine Noel signs her artwork with her Sioux name IOYAN MANI, which translates as "Walk Beyond".

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A woman facing left stands at the edge of a river. Behind her are pine trees and a bright blue sky. She is wearing a dress which resembles earth, water and trees. A fish swims in the water part of her dress. Two birds stand on the earth part of her dress. This Canadian Indigenous print was painted by Maxine Noel, a Sioux artist born on the Birdtail Reserve, Manitoba.

"Earth Mother" - Maxine Noel

$20.95

"Earth Mother" matted print measures approximately 8"x6", and is double matted with ivory mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with ivory mats and black framing measuring 12" X 14.25".  The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Maxine was born in Manitoba of Santee Oglala Sioux parents. She spent her early childhood on her mother's reserve but at the age of six she left to attend an Indian residential school. Maxine's early career as a legal secretary was soon overshadowed by her preoccupation with painting and drawing. She took a course in advanced design where a teacher noticed Maxine's tendency toward linear expression and encouraged her in the use of shape and line to suggest movement. Since those early days Maxine has mastered the skills of painting and drawing plus the processes of serigraphy, etching and stone lithography. Recently she has turned her talents to the creation of editions in cast paper and limited edition bronze castings.

Maxine Noel signs her artwork with her Sioux name IOYAN MANI, which translates as "Walk Beyond".

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Two women face each other. Both are wearing dresses with brown, blue, and green fabric. The dresses have geometric designs resembling diamonds and teepees. The dresses overlap and merge at the bottom, so you cannot tell who is wearing which dress. This Canadian Indigenous print was painted by Maxine Noel, a Sioux artist born on the Birdtail Reserve, Manitoba.

"Friends" - Maxine Noel

$20.95

"Friends" matted print measures approximately 8"x6", and is double matted with ivory mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with ivory mats and black framing measuring 12" X 14.25".  The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Maxine was born in Manitoba of Santee Oglala Sioux parents. She spent her early childhood on her mother's reserve but at the age of six she left to attend an Indian residential school. Maxine's early career as a legal secretary was soon overshadowed by her preoccupation with painting and drawing. She took a course in advanced design where a teacher noticed Maxine's tendency toward linear expression and encouraged her in the use of shape and line to suggest movement. Since those early days Maxine has mastered the skills of painting and drawing plus the processes of serigraphy, etching and stone lithography. Recently she has turned her talents to the creation of editions in cast paper and limited edition bronze castings.

Maxine Noel signs her artwork with her Sioux name IOYAN MANI, which translates as "Walk Beyond".

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"Friends" - Maxine Noel

"Friends" - Maxine Noel

$20.95

"Friends" matted print measures approximately 8"x6", and is double matted with ivory mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with ivory mats and black metal framing measuring 12" X 14.25".  The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Maxine was born in Manitoba of Santee Oglala Sioux parents. She spent her early childhood on her mother's reserve but at the age of six she left to attend an Indian residential school. Maxine's early career as a legal secretary was soon overshadowed by her preoccupation with painting and drawing. She took a course in advanced design where a teacher noticed Maxine's tendency toward linear expression and encouraged her in the use of shape and line to suggest movement. Since those early days Maxine has mastered the skills of painting and drawing plus the processes of serigraphy, etching and stone lithography. Recently she has turned her talents to the creation of editions in cast paper and limited edition bronze castings.

Maxine Noel signs her artwork with her Sioux name IOYAN MANI, which translates as "Walk Beyond".

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A woman faces right against a white background. Her left arm is raised to the right. She is surrounded by autumn coloured leaves. Wind blows left to right across the picture, blowing the woman's long hair, dress, and the leaves. This Canadian Indigenous print was painted by Maxine Noel, a Sioux artist born on the Birdtail Reserve, Manitoba.

"Leaf Dancer" - Maxine Noel

$20.95

"Leaf Dancer"matted print measures approximately 8"x6", and is double matted with ivory mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with ivory mats and black framing measuring 12" X 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Maxine was born in Manitoba of Santee Oglala Sioux parents. She spent her early childhood on her mother's reserve but at the age of six she left to attend an Indian residential school. Maxine's early career as a legal secretary was soon overshadowed by her preoccupation with painting and drawing. She took a course in advanced design where a teacher noticed Maxine's tendency toward linear expression and encouraged her in the use of shape and line to suggest movement. Since those early days Maxine has mastered the skills of painting and drawing plus the processes of serigraphy, etching and stone lithography. Recently she has turned her talents to the creation of editions in cast paper and limited edition bronze castings.

Maxine Noel signs her artwork with her Sioux name IOYAN MANI, which translates as "Walk Beyond".

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A woman and a polar bear stand together in a dark, snowy landscape. The woman is wearing a blue cloak or dress. Her shoulders and the top of her hair are white, suggesting snow. This Canadian Indigenous print was painted by Maxine Noel, a Sioux artist born on the Birdtail Reserve, Manitoba.

"Mother Winter" - Maxine Noel

$20.95

"Mother Winter"matted print measures approximately 8"x6", and is double matted with ivory mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with ivory mats and black framing measuring 12" X 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Maxine was born in Manitoba of Santee Oglala Sioux parents. She spent her early childhood on her mother's reserve but at the age of six she left to attend an Indian residential school. Maxine's early career as a legal secretary was soon overshadowed by her preoccupation with painting and drawing. She took a course in advanced design where a teacher noticed Maxine's tendency toward linear expression and encouraged her in the use of shape and line to suggest movement. Since those early days Maxine has mastered the skills of painting and drawing plus the processes of serigraphy, etching and stone lithography. Recently she has turned her talents to the creation of editions in cast paper and limited edition bronze castings.

Maxine Noel signs her artwork with her Sioux name IOYAN MANI, which translates as "Walk Beyond".

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"Night's Protection" - Maxine Noel

"Night's Protection" - Maxine Noel

$20.95

"Night's Protection"  numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Maxine was born in Manitoba of Santee Oglala Sioux parents. She spent her early childhood on her mother's reserve but at the age of six she left to attend an Indian residential school. Maxine's early career as a legal secretary was soon overshadowed by her preoccupation with painting and drawing. She took a course in advanced design where a teacher noticed Maxine's tendency toward linear expression and encouraged her in the use of shape and line to suggest movement. Since those early days Maxine has mastered the skills of painting and drawing plus the processes of serigraphy, etching and stone lithography. Recently she has turned her talents to the creation of editions in cast paper and limited edition bronze castings.

Maxine Noel signs her artwork with her Sioux name IOYAN MANI, which translates as "Walk Beyond".

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A woman with feathers in her long black hair. She is wearing a dress which resembles large feathers. The feathers are blue, yellow, red and white. There is a first nation's moon on the woman's chest, and the Inuit goddess Sedna swims in part of the dress. The woman is surrounded by faint humanoid figures in the background. This Canadian Indigenous print was painted by Maxine Noel, a Sioux artist born on the Birdtail Reserve, Manitoba.

"Not Forgotten" - Maxine Noel

$20.95

"Not Forgotten"matted print measures approximately 8"x6", and is double matted with ivory mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with ivory mats and black framing measuring 12" X 14.25".  The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

"Our mothers and daughters, our sisters and aunties and grandmothers.  Our women are our heart and our spirit, always honoured, never forgotten.  I am Dakota Sioux, a woman and mother, and an artist.  These are inseparable facets of who I am and how I live in the world.  That world, the world we all live and move in, is a place of great and terrible beauty, of wonder, and of tragedy.  In this painting I speak to that wonder and beauty and tragedy.

To capture both the wonders and the tragedy, I wanted to include motifs which connect with all the places our people live.  Turning first to the West Coast peoples, I am honoured to have been allowed to include the moon image of my friend, artist and visionary Roy Henry Vickers [..] From the North, I incorporated the image of Sedna, the source of all the creatures of the sea.  I have always been drawn to the shell and bead work of the Maliseet and other East Coast peoples and in this painting have echoed the fluidity and grace of their compelling designs.  And then, the two feathers, acknowledging the Metis, and the peoples of the grasslands and woodlands, of the plains and the forests. Finally, the floating figures throughout the painting are the spirits and the presence of the missing and murdered women.

Missing but never lost.

Always present, always remembered." - Maxine Noel

Partial proceeds from the sale of this image are donated to the Native Women's Association of Canada and their "Sisters In Spirit" Project.   For more information visit www.nwac.ca

Maxine was born in Manitoba of Santee Oglala Sioux parents. She spent her early childhood on her mother's reserve but at the age of six she left to attend an Indian residential school. Maxine's early career as a legal secretary was soon overshadowed by her preoccupation with painting and drawing. She took a course in advanced design where a teacher noticed Maxine's tendency toward linear expression and encouraged her in the use of shape and line to suggest movement. Since those early days Maxine has mastered the skills of painting and drawing plus the processes of serigraphy, etching and stone lithography. Recently she has turned her talents to the creation of editions in cast paper and limited edition bronze castings.

Maxine Noel signs her artwork with her Sioux name IOYAN MANI, which translates as "Walk Beyond".

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A polar bear walks right to left across the picture. The landscape is made of abstract mounds of dark blue, green, and yellow. A crescent moon and a wavy aurora hang in the night sky. The picture is full of white spots, suggesting it is snowing. This Canadian Indigenous print was painted by Dawn Oman, a Dene artist from Yellowknife, North West Territories.

"Papa Bear" - Dawn Oman

$20.95

"Papa Bear"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Dawn Oman is a direct descendant of Chief Snuff, Chief of the Yellow Knives, one of the signers of the original Treaty 8 with the Government of Canada. After moving to Vancouver as a teenager, she began seriously applying herself to her art.  In 1995 she moved back to Yellowknife and she opened her own gallery in 1999. She continues to paint and welcome visitors and collectors from across Canada and around the world.

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Two white Inukshuk stand in a colourful landscape. The sky is dark blue. The land is made of strips of green, red, yellow, and blue. An abstract aurora coloured red, yellow, green and purple hangs in the sky behind the Inukshuk. This Canadian Indigenous print was painted by Dawn Oman, a Dene artist from Yellowknife, North West Territories.

"Inukshuk I" - Dawn Oman

$20.95

"Inukshuk I"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Dawn Oman is a direct descendant of Chief Snuff, Chief of the Yellow Knives, one of the signers of the original Treaty 8 with the Government of Canada. After moving to Vancouver as a teenager, she began seriously applying herself to her art.  In 1995 she moved back to Yellowknife and she opened her own gallery in 1999. She continues to paint and welcome visitors and collectors from across Canada and around the world.

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Two large polar bears and one bear cub dance together on their hind legs. The land is made of waves of dark blue, red, green and yellow, with triangles and squares painted over it. The sky is black. An aurora filled with colourful abstract shapes hangs above the bears. The painting is full of white spots, suggesting snow. This Canadian Indigenous print was painted by Dawn Oman, a Dene artist from Yellowknife, North West Territories.

"Dancing Bears" - Dawn Oman

$20.95

"Dancing Bears"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" x 14.25".

Dawn Oman is a direct descendant of Chief Snuff, Chief of the Yellow Knives, one of the signers of the original Treaty 8 with the Government of Canada. After moving to Vancouver as a teenager, she began seriously applying herself to her art.  In 1995 she moved back to Yellowknife and she opened her own gallery in 1999. She continues to paint and welcome visitors and collectors from across Canada and around the world.

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A colourful Inukshuk on a white background. The Inukshuk's body is made of red, yellow, green and blue stones. This Canadian Indigenous print was painted by Dawn Oman, a Dene artist from Yellowknife, North West Territories.

"The Landmark" - Dawn Oman

$20.95

"The Landmark" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Dawn Oman is a direct descendant of Chief Snuff, Chief of the Yellow Knives, one of the signers of the original Treaty 8 with the Government of Canada. After moving to Vancouver as a teenager, she began seriously applying herself to her art.  In 1995 she moved back to Yellowknife and she opened her own gallery in 1999. She continues to paint and welcome visitors and collectors from across Canada and around the world.

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Two polar bears looking up at an aurora. The land is made of abstract colourful shapes. The sky is dark blue. Numerous green and purple streaks form an aurora. This Canadian Indigenous print was painted by Dawn Oman, a Dene artist from Yellowknife, North West Territories.

"Sky Watchers" - Dawn Oman

$20.95

"Sky Watchers"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Cultural Background: Métis, Chipewyan/Welsh, Yellowknife, NWT

Dawn Oman is a direct descendant of Chief Snuff, Chief of the Yellow Knives, one of the signers of the original Treaty 8 with the Government of Canada. After moving to Vancouver as a teenager, she began seriously applying herself to her art.  In 1995 she moved back to Yellowknife and she opened her own gallery in 1999. She continues to paint and welcome visitors and collectors from across Canada and around the world.

The recipient of both the Peoples Choice and Artists Choice Awards at the Great Northern Arts Festival in Inuvik, Dawn's art was chosen by the Royal Canadian Mint for the Festivals of Canada Series silver 50 cent collectors coin.

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A mother polar bear followed by two cubs walk left to right across the picture. The land is made of red, yellow, green and purple abstract shapes. An aurora made of red, yellow, green and purple shapes hangs in the blue sky above the bears. The picture is covered in white spots, suggesting snow. This Canadian Indigenous print was painted by Dawn Oman, a Dene artist from Yellowknife, North West Territories.

"Three Bears" - Dawn Oman

$20.95

"Three Bears"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Dawn Oman is a direct descendant of Chief Snuff, Chief of the Yellow Knives, one of the signers of the original Treaty 8 with the Government of Canada. After moving to Vancouver as a teenager, she began seriously applying herself to her art.  In 1995 she moved back to Yellowknife and she opened her own gallery in 1999. She continues to paint and welcome visitors and collectors from across Canada and around the world.

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A person wearing a yellow snowsuit and a hat kneels at the edge of a frozen river. They have caught a fish on a fishing line. To their right is an ice fishing hole. Beneath the figure is a multicoloured abstract river filled with fish. The picture is covered with white spots, suggesting snow. This Canadian Indigenous print was painted by Dawn Oman, a Dene artist from Yellowknife, North West Territories.

"Winter Run" - Dawn Oman

$20.95

"Winter Run"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25". The 24 1/2" x 32 1/2" print is framed with black wood.

Dawn Oman is a direct descendant of Chief Snuff, Chief of the Yellow Knives, one of the signers of the original Treaty 8 with the Government of Canada. After moving to Vancouver as a teenager, she began seriously applying herself to her art.  In 1995 she moved back to Yellowknife and she opened her own gallery in 1999. She continues to paint and welcome visitors and collectors from across Canada and around the world.

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Waynaboozhoo strikes a Mishipishu, or water lynx, with a club. Waynaboozhoo stands with his weight forward on one leg, arm swinging downward. The Mishipishu is a large creature with clawed feet, fangs, a long tail, and two horns. It stares back at Waynaboozhoo with wide-eyed distress. Numerous concentric rectangles create the details of Waynaboozhoo's clothes and satchel and the Mishipishu's body. This Canadian Indigenous print was created by Ojibway artist Joshua Pawis-Steckley.

"Waynaboozhoo and the Mishipishu" - Joshua Pawis-Steckley

$20.95

"Waynaboozhoo and the Mishipishu"matted print measures approximately 8"x6", and is double matted with ivory mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and black framing measuring 12" X 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Cultural Background: Ojibway, Ontario Canada

Born in Barrie Ontario, Joshua is a member of the Wasauksing First Nation.  He is a woodland artist who is dedicated to restoring the arts and stories of the Ojibway.

Joshua learned to draw by doodling in his school notebooks and drawing for fun with his brother and mother. Most if his family is very creative, both his mother and Nokomis are talented quill box makers. He was never formally trained in acrylic painting and started practicing his craft in his early 20s. He graduated from the Graphic Design Program at NSCC in Halifax, NS in 2014 and has a passion for hand printed artwork. He now lives in Vancouver, BC where he works as a screen printer and paints at home.

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Three figures stand together with salmon and birds. The leftmost figure appears to be encircled by a salmon. The picture is drawn with the bold, dark line work of the Woodland Algonquin style. The background is an orange and yellow sky, contrasting with the blue and green fish and birds. This Canadian Indigenous print was painted by Frank Polson of the Long Point First Nation in northwest Quebec.

"Giving Thanks" - Frank Polson

$20.95

"Giving Thanks" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and black framing measuring 12" x 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

A Native North American Algonquin, born in Ville-Marie, Quebec in 1952, Frank Polson is a member of the Long Point First Nation.

Frank is a self-taught artist who produces works of unique beauty that is both relevant to today and in accordance with his heritage. For the last few years he has worked at developing his unique style in the medium of acrylics. He has rekindled his fond memories of many pleasurable and educational seasons spent on the trap lines with his father and has tried to capture those wonderful memories on canvas.

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The picture is drawn with the bold, dark line work of the Woodland Algonquin style. A figure faces left with their head bowed. They are holding up a long white and brown feather. Their clothing is black with blue and red round shapes on it. The background is in several shades of yellow. A black circle in the background halos the figure and the feather. This Canadian Indigenous print was painted by Frank Polson of the Long Point First Nation in northwest Quebec.

"Sacred Feather" - Frank Polson

$20.95

"Sacred Feather"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

A Native North American Algonquin, born in Ville-Marie, Quebec in 1952, Frank Polson is a member of the Long Point First Nation.

Frank is a self-taught artist who produces works of unique beauty that is both relevant to today and in accordance with his heritage. For the last few years he has worked at developing his unique style in the medium of acrylics. He has rekindled his fond memories of many pleasurable and educational seasons spent on the trap lines with his father and has tried to capture those wonderful memories on canvas.

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The picture is drawn with the bold, dark line work of the Woodland Algonquin style. A shaman performs a dance while wearing an eagle costume. Both of their arms are raised in the air. The hood of the costume is an eagle head, which stares at the viewer. Several flying eagles are silhouetted against the blue sky behind the dancer. In the background is a large red and yellow eye shape. This Canadian Indigenous print was painted by Frank Polson of the Long Point First Nation in northwest Quebec.

"Eagle Dancer" - Frank Polson

$20.95

"Eagle Dancer"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and black framing measuring 12" x 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

A Native North American Algonquin, born in Ville-Marie, Quebec in 1952, Frank Polson is a member of the Long Point First Nation.

Frank is a self-taught artist who produces works of unique beauty that is both relevant to today and in accordance with his heritage. For the last few years he has worked at developing his unique style in the medium of acrylics. He has rekindled his fond memories of many pleasurable and educational seasons spent on the trap lines with his father and has tried to capture those wonderful memories on canvas.

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Three seals on an off white background. The front-most seal is white with a black head and a black stripe on its side. Its head is thrown back with its mouth open. The middle seal is cream coloured with shiny black eyes. The rear seal is grey with black spots. It appears to be smiling. This Canadian Indigenous print was painted by Kananginak Pootoogook, an Inuit artist born in the Ikerrasak camp in Nunavut. His signature is at the bottom right.

"Arctic Seals" - Kananginak Pootoogook

$20.95

Made in Canada

"Arctic Seals" print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" x 14.25".

Kananginak Pootoogook (1935-2010)

Cultural Background: Inuit

Kananginak Pootoogook, sculptor, designer, draftsman, print maker (born in Ikerrasak camp, south Baffin Island, Nunavut, 1935). Son of the great camp leader, Pootoogook, he came to Cape Dorset in 1958 when James Houston brought printmaking to the North. He became one of the four original printers. Kananginak worked in all media including silk-screen printing of textiles. However, he excelled as an engraver and lithographer, particularly of wildlife art which he had mastered completely while retaining a personal style with definite abstract qualities.

Kananginak was also a prominent and involved community leader. He was instrumental in the formation of the West Baffin Eskimo Co-operative and served for many years as President of its Board of Directors. He was also a member of the Royal Canadian Academy. Kananginak lived in Cape Dorset with his wife, Shooyoo and their family until his death in 2010.

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A large musk ox faces the viewer. It has two white curling horns, and a white muzzle. Its fur is black and brown and appears coarse. Its front hooves each end in four black, curling nails. This Canadian Indigenous print was painted by Kananginak Pootoogook, an Inuit artist born in the Ikerrasak camp in Nunavut. His signature is at the top left.

"Humongous Musk Ox" - Kananginak Pootoogook

$20.95

Made in Canada

"Humongous Musk Ox" print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Kananginak Pootoogook (1935-2010)

Cultural Background: Inuit

Kananginak Pootoogook, sculptor, designer, draftsman, print maker (born in Ikerrasak camp, south Baffin Island, Nunavut, 1935). Son of the great camp leader, Pootoogook, he came to Cape Dorset in 1958 when James Houston brought printmaking to the North. He became one of the four original printers. Kananginak worked in all media including silk-screen printing of textiles. However, he excelled as an engraver and lithographer, particularly of wildlife art which he had mastered completely while retaining a personal style with definite abstract qualities.

Kananginak was also a prominent and involved community leader. He was instrumental in the formation of the West Baffin Eskimo Co-operative and served for many years as President of its Board of Directors. He was also a member of the Royal Canadian Academy. Kananginak lived in Cape Dorset with his wife, Shooyoo and their family until his death in 2010.

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A complex first nation's moon lights up the night sky. Below the moon, several pines trees are silhouetted. It is slightly foggy. A large croaking raven sits at the top of the center tree. In the background are five flying birds. This Canadian Indigenous print was painted by Tlingit artist Mark Preston. He was born in Dawson CIty, Yukon.

"Raven Moon" - Mark Preston

$20.95

Made in Canada

"Raven Moon" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Cultural Background: Tlingit, Yukon Territory

Mark Preston (Tenna'Tsa'Teh) was born in Dawson City, Yukon. He is of Tlingit and Irish descent and travels extensively throughout British Columbia and the Yukon to market his work.

Mark has studied and worked in various mediums including paper, cloth, wood, metals, stone and most recently he has started working on glass. Mark has also studied silver carving with well known master jeweler and carver Gitksan artist Phil Janze while attending K'san in Hazelton.

"When I think about what art is, it is more than illustration or objects to be doted over. Art is the magic, the glue that binds us all together. It is the language that transcends its forms."

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A heron stands in the middle of a lake. The heron is mainly blue green. Bright green u-shapes and white trigons form the details of its neck and wings. The heron stands on one foot, with the other curled under its body. Its head is thrown back. It has a red fish in its beak. A thin red circle halos the heron's head. This Canadian Indigenous print was painted by Richard Shorty. He is from the Yukon's Northern Tuchone Tribe.

"Green Heron" - Richard Shorty

$20.95

"Green Heron"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Richard was born in Whitehorse, Yukon Territory in 1959 and belongs to Northern Tuchone Tribe. Richard is a self taught artist. He originally started painting wildlife at an early age along with painting his favorite rock stars and sports idols. In the early 1980's, Richard started painting West Coast Native design and soon developed his own distinct, style, using the wildlife form of the animal and adding his native design on the inside of the form.

Today, Richard is one of the most sought after Native artists, with works in many galleries throughout. He is very versatile, working on drums, paddles, masks, rattles in addition to his paintings. His pieces are collected internationally.

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Two bright blue hummingbirds hover on a white background. They have black wings and feet. Blue u-shapes create individual feathers on their bodies and wings. Their throats are red, and they each have a red spot on their wings. A thin red circle halos the background behind the birds. This Canadian Indigenous print was painted by Richard Shorty. He is from the Yukon's Northern Tuchone Tribe.

"Humming Birds" - Richard Shorty

$20.95

"Green Heron"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Richard was born in Whitehorse, Yukon Territory in 1959 and belongs to Northern Tuchone Tribe. Richard is a self taught artist. He originally started painting wildlife at an early age along with painting his favorite rock stars and sports idols. In the early 1980's, Richard started painting West Coast Native design and soon developed his own distinct, style, using the wildlife form of the animal and adding his native design on the inside of the form.

Today, Richard is one of the most sought after Native artists, with works in many galleries throughout. He is very versatile, working on drums, paddles, masks, rattles in addition to his paintings. His pieces are collected internationally.

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Two snowy owls hug a larger central snowy owl with their wings. The two smaller owls stare at the viewer with lidded eyes, while the large one stares with wide eyes. The background is dark yellow with thin white hatch marks, creating a rough texture. This Canadian Indigenous print was created by Inuit artist Ningeokuluk Teevee, born in Cape Dorset, Nunavut.

"Cuddle, 2015" - Ningeokuluk Teevee

$20.95

"Cuddle, 2015" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" x 14.25".

Born May 27, 1963, Ningeokuluk is one of the most versatile and intelligent graphic artists to emerge from the Kinngait Studios.  Since her first prints appeared in the collection in 2004, Ningeokuluk has been one of Kinngait's studio's most celebrated artists. She has a comprehensive knowledge of Inuit legends and a fine sense of design and composition. These elements that have made many of her prints highly sought after by collectors. Ningeokuluk has had numerous solo shows, and some of her work has been featured in exhibitions in major public galleries and museums.

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A large common loon looking over its shoulder. Its black head, neck and beak are very slender. It has a white chest and collar. The spots on its black back are light blue and grey. The background is a faded blue with densely packed black hatch marks. This makes the background look dark and rough textured. This Canadian Indigenous print was created by Inuit artist Ningeokuluk Teevee, who was born in Cape Dorset, Nunavut.

"Moondance" - Ningeokuluk Teevee

$20.95

"Moondance" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Born May 27, 1963, Ningeokuluk is one of the most versatile and intelligent graphic artists to emerge from the Kinngait Studios.  Since her first prints appeared in the collection in 2004, Ningeokuluk has been one of Kinngait's studio's most celebrated artists. She has a comprehensive knowledge of Inuit legends and a fine sense of design and composition. These elements that have made many of her prints highly sought after by collectors. Ningeokuluk has had numerous solo shows, and some of her work has been featured in exhibitions in major public galleries and museums.

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A snowy owl drawn in the Coastal Salish style. Its right wing is raised across its body, partially obscuring it. The left wing is half raised behind it. Black trigons and black and blue u-shapes create the details of its wings. A white trigon twinkles in each of its yellow eyes. The background is pure black. This Canadian Indigenous print was created by Metis artist Derek Thomas. He is from Duncan, BC, and prefers the Coastal Salish style for his art.

"Owl" - Derek Thomas

$20.95

"Owl"matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", landscape orientation. The matted and framed print is double matted with white mats and black framing measuring 12" X 14.25". The numbered Limited Edition print measure 24 1/2" x 30" and is double matted with a black wood frame.

Cultural Background: Métis, Duncan, BC

Derek Thomas is a Métis artist who was born in 1982 in Duncan, BC Being raised in the Valley surrounded by the culture of the Coast Salish people, he was drawn to a young age of his Métis heritage, that he was unfamiliar with, but to the art and culture of his environment.Mostly self-taught, he started carving in 2005, and was inspired to paint shortly after by his Coast Salish uncle Richard Johnson.Thomas is a versatile artist who creates two dimensional shapes with unique color schemes.Thomas credits his growth as an artist to private art collectors who have supported him, most notably - Frank Weyman.Thomas' work is collected worldwide.

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An abstract image of a mother holding and looking down upon her swaddled baby. The mother's dress several orange, green, and blue concentric forms. Several long, slender black lines emerge from the mother's clothes and hair, creating a sense of movement. This Canadian Indigenous print was created by Cecil Youngfox, an Ojibwa and Metis artist from Blind River, Ontario.

"Joyous Motherhood" - Cecil Youngfox

$20.95

"Joyous Motherhood" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Cecil Youngfox was born in 1942 in Blind River, Ontario, of Ojibway and Metis parents.  Before his untimely death in 1987, Cecil Youngfox had established himself as one of Canada's leading native artists.Among the many honours bestowed upon him, Mr. Youngfox received the Aboriginal Order of Canada for his work in preserving his native heritage.

Renowned for his vivid, sensitive images of native cultural traditions, his  imaginative vision continues to draw the respect and interest of private and public collectors throughout the world.

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An abstract image of a seated figure playing a drum. The figure looks down at the drum, with one slender arm touching the top. Their body is made of concentric shapes coloured red, blue and green. Three long triangular forms emerge from the figure's head and drape left and down across the picture. Slender black lines emerge from the figure's hair and back, branching and flowing downward. This Canadian Indigenous print was created by Cecil Youngfox, an Ojibwa and Metis artist from Blind River, Ontario.

"The Drum Singer" - Cecil Youngfox

$20.95

"The Drum Singer" matted print measures approximately 8"x6", and is double matted with white mats.  Overall measurements: 11"x14", portrait orientation. The matted and framed print is double matted with white mats and metal framing measuring 12" X 14.25".

Cecil Youngfox was born in 1942 in Blind River, Ontario, of Ojibway and Metis parents.  Before his untimely death in 1987, Cecil Youngfox had established himself as one of Canada's leading native artists.Among the many honours bestowed upon him, Mr. Youngfox received the Aboriginal Order of Canada for his work in preserving his native heritage.

Renowned for his vivid, sensitive images of native cultural traditions, his  imaginative vision continues to draw the respect and interest of private and public collectors throughout the world.

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Drawing With Shapes Doted Lines

Source: https://www.madeincanadagifts.ca/collections/indigenous-art-prints-canadian-matted-artists-first-nations